BEYONCÉ: It was a three-year process to create A Seat at the Table. You took your time, and it’s still so fascinating to me the amount of production you did for this album, the live instrumentation, with you physically, on the keyboards, on the drums, producing not only the vocals but also co-producing the tracks. It’s something to be celebrated, for a young woman to be such a strong producer as well as a singer-songwriter and artist.
SOLANGE: Thank you! One of my biggest inspirations in terms of female producers is Missy. I remember seeing her when you guys worked together and being enamored with the idea that I could use myself as more than a voice and the words. On my previous records, I contributed to production here and there, but I was always really afraid to really get in there and … I guess I wasn’t really afraid, I was just really comfortable writing the songs. I felt like my contributions as a producer were enough. But when I started to work on the sonics for this record, I realized that I had to create such a very specific sonic landscape in telling the story. I had these jam sessions, and there were holes that no one else could really fill for me. It really came out of a need for something outside of what I could articulate and lead someone else to do. And it was scary. It was really scary, and a lot of times I was frustrated with myself and feeling insecure because it was new to operate in that space and be in front of people at this age, learning something on this level. But I feel so grateful and excited that there’s a new phase that I conquered as an artist.